How the Hop Hop Music Culture Spread Into Eastern Countries Essay

How the Hop Hop Music Culture Spread Into Eastern Countries - Essay Example Underground hip hop artists and various rappers and â€Å"hip hopsters† began recording and distributing music across America. Though hip hop/rap music was not considered mainstream American music, the artists and their investors were making profits off marketing the â€Å"underground† releases. Such underground artists include, The Sugar Hill Gangs's 1979’s "Rappers Delight† and â€Å"King Tim III’s Personality Jock† by the Fat Back Band (See Appendix #1 and #2). With underground hip hop and rap music spreading like wildfire throughout the Unitied States of America, it would soon prove to be no surprise that the controversial hip hop/rap music would soon be intorduced into mainstream American music. Its introduction would prove to be nothing short of extraordinary, triggering controversial and mixed emotions among America’s youth, parents, and of course, churches. The introduction of hip hop/rap into mainstream American music will neve r be forgotten, leaving countless mass media and personal stories of the adjustments to the revolution (See Appendix #3). The Induction of Hip Hop Music into Mainstream American Music A New York hip hop group called Run-DMC and Jam Master Jay is accredited with introducing hip hop music into mainstream American Music during the early 1980s. Because any type of change is controversial, the introduction of the hip hop genre was no exception. The new style and genre was for the most part, â€Å"clean-cut†, unlike much of the underground music that had been circling the nation during the 1970s. Run-DMC and Jam Master Jay didn’t rap about drugs, sex, or violence; instead, they rapped about normal teen life and the joys... This "How the Hop Hop Music Culture Spread Into Eastern Countries" essay outlines the phenomenon of hip-hop music's popularity. A New York hip hop group called Run-DMC and Jam Master Jay is accredited with introducing hip hop music into mainstream American Music during the early 1980s. Because any type of change is controversial, the introduction of the hip hop genre was no exception. The new style and genre was for the most part, â€Å"clean-cut†, unlike much of the underground music that had been circling the nation during the 1970s. Run-DMC and Jam Master Jay didn’t rap about drugs, sex, or violence; instead, they rapped about normal teen life and the joys of being a part of America’s youth (Bessie Cherry, 2008). They were the â€Å"good guys† of rap, you could honestly say (Bessie Cherry, 2008). In an interview with Letter Press Publications, Darryl McDaniels told Bessie Cherry, Executive Director of Communications for Letter Press Publications, that Run-DMC and Jam Master Jay’s goal for introducing rap into mainstream American music was to positively unify our youth, not to divide or destory it with lyrical adorations pertaining to sex, drugs or violence. McDaniels said that he is most certainly disappointed in how rap music has evolved and does not approve of the lyrics of so many of today’s American artists and the hip hop industry (Letter Press, 2008). â€Å"Several of today’s multi-million dollar production and networking alliances, are signing and promoting artists whose lyrical themes solely project sex, violence, death and destruction.